Endless Boogie - Vol. I, II

Endless Boogie - Vol. I, IIIt was never intended to get this far. Endless Boogie had been a band for six years when they were invited by Slint to play the All Tomorrow's Parties festival in the UK. Up to that point, they had been perfectly content existing only at their weekly Lower East Side rehearsals (and the occasional New York City show). At the time, Jesper Eklow and Mark Ohe worked at Matador Records, and word had begun to spread about the Art Departments band. They

“Novice” and “Trophy”

” as well as to the pretty

the band’s days were numbered and by 1987 it was no more

Medical Records presents a very special double A side reissue of Fullerton

giving Fohr an opportunity to break free of the isolation that informed her previous albums

Working on a broad range of commissions since his last album - from writing for film and theatre works to composing for art installations

vibraphone and other additional instruments add texture richness to the final mix

Humanitys path since then makes his message even more urgent today

All of these influences are clear in the Comfort Station recordings

novelist and essayist Jonathan Lethem called the entirety of the Bandit Records tale "Haunting

The two members of The Bodyhave joined forces with arcane producer The Haxan Cloak (Bobby Krlic) for the I Shall Die Here long player

” Throughout the album